帕
搜索"帕" ，找到 5952部影视作品
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史蒂夫·麦奎因
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《黑豹 Black Panther》的Letitia Wright及《星球大战 Star Wars》新三部曲演员John Boyega加盟BBC剧《细斧 Small Axe》，这部剧已获Amazon购下美国点播权。 这部6集剧会讲述5个不同的故事，背景设置在60-80年代的伦敦西印度社区。剧集标题来自牙买加谚语「If you are the big tree, we are the small axe.」，意指即使是微弱的异议声，仍然可以挑战强权一方。 其余演员包括Malachi Kirby﹑Shaun Parkes﹑Rochenda Sandall﹑Alex Jennings 及Jack Lowden。
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马特奥·罗韦尔,皮波·梅萨佩萨,莱达·帕蒂图奇
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Arturo, Elena and Blu have lost almost everything in their lives, but one thing still lights them up: the love for cars and adrenaline. Elena, a young member of the Dionisi family, owner of a famous motorsport team, must regain a role in the family business, now in the hands of her brother; she hires Blu, a young hothead with a fatal attraction to speed, and Arturo, a famous pi...
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蕾切尔·高德伯格,Yana Gorskaya,恩辛哈·斯图尔特
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柯柯·帕尔莫
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Set in present-day suburbia, The ‘Burbs follows a young couple returning to the husband’s childhood home.Their world is upended when new neighbors move in next door, bringing old secrets of the cul-de-sac to light, and new deadly threats shatter the illusion of their quiet little neighborhood.
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菲利克斯·韦斯卡列特,内莉·雷格拉
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《猎犬家族》是一部充满家族阴谋的电视剧，剧中人物性格复杂，对话充满讽刺意味。故事围绕着“索马里瓦”家族成员展开：为了挽救家族企业、维持生活水平又或者说维持一些情感联系，他们被迫在焦虑的旋涡中无休止地挣扎，试图维持对生活的掌控。
《猎犬家族》的演员阵容十分强大：阿德里安娜·奥索雷斯（戈雅奖得主《归还戈雅自画像》）、阿根廷演员奥斯卡·马丁内斯（《杰出公民》）、马塞尔· 博拉斯、帕特里夏 ·洛佩斯·阿奈斯（戈雅奖得主《阿内》）、玛利亚·佩德拉萨（《名校风暴》）、豪尔赫·乌松、弗朗切斯科·卡里尔、路易斯·贝尔梅霍（戈雅奖提名《神奇女孩》）和 达妮埃拉·埃斯泰。@深影
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菲利克斯·韦斯卡列特,内莉·雷格拉
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《猎犬家族》是一部充满家族阴谋的电视剧，剧中人物性格复杂，对话充满讽刺意味。故事围绕着“索马里瓦”家族成员@诡婴吉咪@展开：为了挽救家族企业、维持生活水平又或者说维持一些情感联系，他们被迫在焦虑的旋涡中无休止地挣扎，试图维持对生活的掌控。 @撕开她的衣服@ 《猎犬家族》的演员阵容十分强大：阿德里安娜·奥索雷斯（戈雅奖得主《归还戈雅自画像》）、阿根廷演员奥斯卡·马丁内斯（《杰出公民》）、马塞尔· 博拉斯、帕特里夏 ·洛佩斯·阿奈斯（戈雅奖得主《阿内》）、玛利亚·佩德拉萨（《名校风暴》）、豪尔赫·乌松、弗朗切斯科·卡里尔、路易斯·贝尔梅霍（戈雅奖提名《神奇女孩》）和 达妮埃拉·埃斯泰@白鹿原小说下载@。
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拉雷姆·雷迪
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Spring 1989. High up in the Indian Himalayas, where even the birds fly low to avoid getting lost in the clouds, the soft-spoken Dev owns a sprawling estate of several orchards and lives in a colonial-style house with his family. He spends a lot of his time building human-sized wings which he puts on to take a quick morning flight over his land. One day, while walking through the estate, he discovers a single burnt apple tree. A few days later, more trees are burnt. Dev and his manager monitor the workers on the plantations and this leads to unrest. A group of nomads comes under suspicion and a corrupt police officer gets involved, while loyal men camp out in the orchards to keep a vigilant watch at night. Despite all these measures, a massive fire breaks out a week later and engulfs an entire mountainside of trees. In his search for the culprit, Dev resorts to armed violence. The slow burning of the orchards forces him to face the truth about himself and his family.
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查理·帕尔默,莎拉·哈丁,大卫·摩尔
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When old family friend Louisa Oxley visits Miss Marple one stormy night seeking help, Miss Marple decides to send her and her son, Archie, to safety at the labyrinthine estate of Greenshaw's Folly, owned by Miss Marple's good friend Katherine Greenshaw, an eccentric botanist and the last surviving Greenshaw. Louisa becomes Miss Greenshaw's secretary, and quickly attracts the at...
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
